Bouldercrest Films is a production company in Atlanta. We build stories from the ground up and make them for the places people actually watch.

The company was founded by Kameron Bain and works out of Atlanta, which is not a backdrop for us but the place the stories come from. Funny Thing About Love started here as an idea of his, went to Christel Gibson to write, and came back as a film — that route, from a room in Atlanta to a platform premiere, is the one we are set up to run.

We produce with partners rather than pretending to do everything alone. On Funny Thing About Love that meant Tycor International Film Company alongside us, and producers who have delivered features before. We would rather share a picture and get it made properly than hold all of it and get it made badly.

What we look for hasn't changed since the first script: Black stories with real interior lives, told with wit, shot with ambition, and finished to a standard that holds up on a big screen even when it premieres on a small one.

Funny Thing About Love began as a story by Kameron Bain and went to Christel Gibson to write. That is the shape we like: an idea with a point of view already in it, handed to a writer who can hear what it is trying to be, with a director attached early enough to write toward an actual camera.

We commit to a schedule of drafts up front and we pay at each one. A writer keeps their name on the picture and their draft history stays in the file. When a script is finished we say so and stop asking for changes, which is rarer than it should be and is most of what writers tell us they came here for.

Three titles are in development now — Flatline, Black Rage, and The Art of Dying. We announce casts and dates when they are real and not before.

Funny Thing About Love was produced by Kameron Bain through Bouldercrest Films alongside Errol Sadler, Ty Walker of Tycor International Film Company, and Durrann Brown. Four producers on a picture this size is not overhead — it is how a first feature from a young company gets finished on schedule and delivered to a platform's spec without drama.

The film was shot around Atlanta and set on a fictional HBCU campus, with a cast built out of people who understand that world. We frame at 2.39 : 1 and we finish to a theatrical standard, because a picture that holds up on a big screen loses nothing when it plays on a laptop, and the reverse is not true.

We are open to co-productions with companies who work the way we do. If you have a picture that needs an Atlanta partner, write to us.

Ty Walker produced the picture with us through Tycor, and the partnership is the reason a first feature from a young company reached a platform on schedule. We would work with them again and we are open to co-productions with companies who operate the same way.

tycorfilms.com

Funny Thing About Love premiered as an ALLBLK original — exclusive to ALLBLK in the United States, and available through the ALLBLK channel on Prime Video. One platform, one date, no staggered mess. For a film about a homecoming, landing in one place where its audience already is beat scattering it across five services nobody subscribes to.

The unglamorous half of this job is delivery. A platform partner should receive a package that passes QC the first time: masters that match spec, captions that are actually timed, audio description, artwork at every ratio they asked for, and metadata that doesn't have to be rewritten by someone on their side.

We are open to conversations with platforms and sales agents about the titles now in development.

ALLBLK

Exclusive US streaming home. Web and app, from 11 June 2026.

Prime Video

Available through the ALLBLK channel with a subscription.

International

Not yet licensed outside the United States.

Find it on Prime Video

Standard delivery package

Master

ProRes 4444 XQ · UHD

Package

IMF, on request

Aspect

2.39 : 1

Sound

5.1 · 2.0 · M&E

Access

SDH captions · audio description

Artwork

Key art, all platform ratios

Marketing

Trailer, teaser, stills, metadata

Funny Thing About Love premiered on Thursday 11 June 2026, exclusively on ALLBLK. There is no platform release, no expansion, no second weekend to save you — the film is either found in its first days or it is buried by what drops next. So the work moves forward, into the weeks before the date.

The trailer went out in May, three weeks ahead. Press ran through outlets whose readers are the film's actual audience rather than whoever happened to be at a junket. The cast and the director did interviews. By the time the date arrived, the people most likely to love it already knew it existed, which is the entire job.

Founder

Kameron Bain

Kameron Bain founded Bouldercrest Films and produces through it. Funny Thing About Love is his — the story is his credit, and he produced the picture alongside Errol Sadler, Ty Walker, and Durrann Brown, with Tycor International Film Company co-producing.

The company runs the way he works: start with a story worth arguing about, get a writer who can hear it, find a director who can shoot it, and bring in partners who have done it before rather than learning on someone else's money.

Most companies this size say they are closed to unsolicited work, and most of them mean it. We don't, because our own first picture started as an idea nobody had asked for. A script from someone with no agent and no credits is not a lower-quality script — it is an unread one.

Send the finished feature as a PDF and one page telling us why this one and why you. Nothing else. No lookbook, no mood board, no list of the stars you would cast, no comparable-titles slide. If the pages work they work.

We read it

A person reads it, all the way through, not a page count and a logline.

We answer

Yes or no, either way. If we pass we tell you what stopped us.

You keep it

Sending us a script gives us no claim on it. Nothing changes hands unless we option it and you sign.

If we option

Paid drafts on an agreed schedule, and your name stays on the picture.

Submission guidelines

What

Completed feature screenplays

Length

85–140 pages

Format

PDF · standard US

Include

Script + one-page letter

Fee

None

We don't take

Treatments · loglines · pitches

Send to

By email

submissions@bouldercrestfilms.com